Veiled Interpretations of Du Bois’s ‘The Souls of Black Folk’ (1903)

Du Bois’s work The Souls of Black Folk (1903) attempts to capture the quintessential twentieth century problem “of the color-line” (713), that is the problem of racial belonging and identification. In these terms, Du Bois cautiously steps within the “Veil” of his racial segregation, a capitalized term he coins to help readers visualize the obscure barrier that separates the two worlds, and attempts to decipher the subliminal fluctuations of a blackness vastly treated as a flaw. This is the exact point which Du Bois delves into in order to staple together multiple thematic concerns. Continue reading