Nine speakers, four panels, one day: the highly-anticipated conference organised by the Tate Modern in conjunction with their Soul of a Nation exhibition was not only incredibly broad in the number of topics discussed but simultaneously rich in detail. Continue reading
Sean L. Malloy’s book provides a convincing and engaging history of the internationalism of the Black Panther Party (BPP). It is a valuable contribution to scholarship on the BPP, black internationalism, and the intersection of issues of race and the Cold War. Continue reading
If a project claims to re-consider the American avant-garde and its racism, what impact does this have on academic practice as such? Mariya Nikolova argues that a critique of avant-garde movements is impossible without Black and Gender theorizations. Hence the need for a re-consideration of avant-garde’s underlying protocols. Form and formality are invariably linked to epistemological violence, to the way knowledge inhabits and inhibits understanding. Experimentation often entailed elitism, but dissidence experiments, too. This double grammar resuscitates avant-gardism and requires a careful attention. The white avant-garde claimed the former through the latter, and the fact that it did raises the question of form. When does form collapse? Is there a way to make this visible?Does a methodology exist that attends to practices of unreading and whether a White scholar could ever impede their own safety? How would self-sabotage appear in such an endeavour?
Du Bois’s work The Souls of Black Folk (1903) attempts to capture the quintessential twentieth century problem “of the color-line” (713), that is the problem of racial belonging and identification. In these terms, Du Bois cautiously steps within the “Veil” of his racial segregation, a capitalized term he coins to help readers visualize the obscure barrier that separates the two worlds, and attempts to decipher the subliminal fluctuations of a blackness vastly treated as a flaw. This is the exact point which Du Bois delves into in order to staple together multiple thematic concerns. Continue reading
The ‘Negro Fort’ at Prospect Bluff was one of the most formidable Maroon settlements in the whole of the New World that met its volatile end on 27 July, 1816. The story of these fugitives remains eschewed outside of academic circles, perhaps due to its uncomfortable reminder of the extent the pre-Civil War United States went to in upholding the racial status quo. Continue reading
The competition posed a welcome challenge disseminating my research for different audiences. It encouraged me to write for an audience that, whilst sharing a broad base of knowledge, are not experts in my specific field of nineteenth-century literature. Furthermore, it challenged me to think beyond the narrow focus of my PhD thesis. Instead of the granular work I often present in a 20-minute paper, the keynote made me think of my work in much broader terms and make connections outside the thesis. Continue reading
It is axiomatic that the American Civil War was intimately connected with the demise of American slavery. Certainly, the circumstances and events of the war led to the Emancipation Proclamation and later the Thirteenth Amendment, ending chattel slavery in the United States. This relationship between the Civil War and emancipation has led to a general view of the war as a triumph for freedom and a redemptive rebirth of the American nation. Yet several decades of historical writing have sought to complicate this straightforward story of a dichotomous shift from slavery to freedom in 1865. Continue reading
The U.S. Studies Online 60 Seconds interview feature offers a short and informal introduction to a postgraduate, academic or non-academic specialist working in the American and Canadian Studies field or a related American and Canadian Studies association.
Dr. Lydia Plath and Dr. Gavan Lennon are the organisers of the 62nd Annual British Association for American Studies conference, to be held at Canterbury Christchurch University, 6-8 April, 2017. Continue reading
10) Film Review of Trumbo (2015) by Hannah Graves Working from Bruce Cook’s recently re-issued biography, Trumbo (2015) follows Communist Party member Dalton Trumbo (Bryan Cranston) from his appearance before HUAC in 1947 through his jailing, his years writing screenplays pseudonymously, and, finally, his blacklist-breaking accreditation as the writer of … Continue reading
In the audio-visual demonstration When I See Them I See Us, (2015) various Black American and Palestinian individuals and organisations forming the Black-Palestinian Solidarity movement express their apprehension of both groups’ subalternity by linking and remapping experiences between “U.S. cities” and “Palestine’s streets”. Continue reading